Welp, prepare yourselves for a
wall of feels, because I watched
Desperate Checkmate and now I'm
consumed by them. Holy
shit. As always, enstage knocked it out of the fucking park and I'll be thinking about this for
awhile.
Anyway. Lemme start by saying that I am
not a KnightsP and mostly just love Leo, so I'm a fake fan who hadn't read Checkmate before watching the play. I'd seen the web anime like a year ago, but that's it. However, Desperate Checkmate was
so fucking good that I immediately started reading
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
shivalries's
translation of Checkmate as soon as the play ended (which was around 3 am) and just. Okay. I'm starting to see the Knights appeal
and even give Izumi fucking Sena rights, so...let's fuckin goooooooooooo!!!!
I'm not doing a scene by scene analysis because my understanding of Japanese is shaky, especially for long monologues and Leo's manic energy/breakdowns. So we're going by a lot of vibes + knowing the vague story beats from the anime, which means it comes down to the stage actors to get things across...and holy shit, they did. Sena's the POV character for most of the play and it opens with him alone on stage- before we cut to Leo in his throne.
Leo on the throne is sooooo good and ominous at first...
( click click for more of the opening shots )And then we have the opening theme,
Desperate Checkmate, which is honestly quite catchy and I'm looking forward to getting the soundtrack for this play whenever it comes out. Because like. Look. Some of the enstage-only music is really good, actually!!! And I need it.
We have a new Eichi for this place, which is like...fine? This is number three??? He honestly does a
really good job, but he's noticeably shorter than Tsumugi (which makes for some creative staging to try to hide that). Kinda makes me wonder what they're gonna do next time
fine is in a play, because I think the new Eichi is around the same height as Tori...
ANYWAY. Little John was a
puppet, which was honestly such a good choice since she had to move around the stage. But holy shittttt. The scene with Leo rescuing her and getting the shit beat out of him was so fucking intense, thx to the really good lighting.
like HELLO!!!!!!!!! sir you are in peril
( more from this scene!!!! )I liked the cuts between present day (Sena and Eichi playing chess/mind games) and the past (Leo being dragged to the hospital and meeting Eichi)...idk I'm not smart enough to describe it properly, but it's like...well executed. The set changes were all really solid; I always
love the stairs/levels in Japanese stage plays, and Desperate Checkmate made great use of them.
Honestly, fuck going in order the whole time, I have ADHD- lemme talk about the staging choices. The set looked
perfect: it was just like the Checkmate stage but had enough moving parts that it could be seamlessly changed for different settings/scenes/etc. And the fucking
lighting in this one fucking killed me over and over.
Example 1:
when Eichi is talking about the Eccentrics and they're all represented by lights in their colors... *chef's kiss*
Example 2:
Madara's stage play actor had a scheduling conflict - he's in the Blue Lock stage play that's running at the same time - so
this was the solution. One of the ensemble cast played him while his regular actor recorded his lines, and they used intense lighting to obscure the details of his face & such to make it seem like it's still our regular Madara. But god, while working within the limitations, it made him
so much more menacing in every scene he was in. Fucking stellar, 10/10 solution, honestly drove home what a dangerous and sketchy dude he is SO WELL, I love it.
like- even if this guy is bringing you good(ish) news, he's clearly someone who's frequently up to no good. FANTASTIC. I love him *w*
WHICH IS ALL SO FUCKING COOL. Just. There's clearly a lot of love and care put into adapting the stories for the stage, and it shines through. But getting back to those stairs...Leo enters a scene through a central arch and gets into a conversation with Eichi. This conversation fairly quickly turns into emotional warfare - thx Eichi - and Leo tries to escape- only to find that his exit has been blocked by the stairs.
LIKE!!!!!!!! THESE WEREN'T HERE BEFORE!!!!! THE SYMBOLISM OF HOW BLOCKED IN HE IS JUST SENDS ME SOMEWHERE!!!!!!!!!!!!!!And then later on there's a part where the IzuLeo divorce/love confession is happening and they're back to back on the stairs and I want to chew fucking glass over these idiots. Eichi and Tsumugi were in
top form, which is to say Tsumugi had an obvious and desperate crush while Eichi missed all the parts where he was supposed to reciprocate it in a healthy way. So like. Very good XD And Sena and Leo were......codependent and shitty at communicating and Leo kept saying "I love you" and it kills me. EXPRESS YOURSELF BETTER, SENAAAAAAAAA!!!!!!!!!
sorry not sorry about how long this is I can't contain myselfLeo's breakdown at the climax killed me. It killed me in the anime and Leo's actor is so fucking incredible at capturing the angst, the desperation, the mania, the
everything that makes Leo
Leo. And it was
everything in this. Crying and laughing at the same time about how everyone loves his music, not him, broke my fucking heart
again; when will this not destroy me???? The part where he blames Sena for all of it is
not in the anime, so I got to have my heart ripped out
again for these fuckers ;w;
It took over a year, but I think I've finally been worn down: Izumi Sena does in fact have more depth and worth than I've given him, and he can
tentatively join the characters that I care about the most. The stage play + reading Checkmate in full gave me an appreciation for his dynamic with Leo, but
also him on his own and how he interacts with the rest of Knights. Cannot
believe I've ended up here, since I did NOT originally click with Knights.......
Ritsu is still canceled for gacha crimes thoSo, this had sorta the same problem/conundrum as
Meteor Lights in that it's a serious story without a lot of room for inserting musical numbers - save for
We'll be "Knights" - so...the last half hour or so was just a Knights Live XD Probably to fill time + make use of Tsukasa, since they had him there for the small bit of plot he was in...but literally the story wraps up and then it cuts to Knights backstage announcing that they're doing a Live next and they hope we'll all stay!
OKAY THEN XD
But part of the way through the Live, Knights has to do a costume change, so someone else has to sing to fill that time...and it's none other than
these fuckers:
nothing could have prepared me for the EiMugi duet called Never Over of all fucking things. who did this. Liz and I screamed so fucking loudly we couldn't believe it!!!!!!
( I have so many screencaps of this song specifically... )Also, for a lot of the Live, Tsukasa was equally if not more central in the blocking. Since this is a !-era story, which
technically takes place before Leo has returned to school, he's still the newbie of Knights. But since it's a play being performed in 2025, we know that he eventually takes over as leader, and it's a nice bit of foreshadowing~
OH GOD ALSO THE BEST PART!!!! It seemed like there was a new ending song for enstage, which like....okay Checkmate and Human Comedy are more serious stories, I
guess Singin'☆Shine! isn't the best closing song, you know, for the mood...but it was still disappointing. Liz and I had resigned ourselves to no more Singin'☆Shine!, but then.......
EVERYONE CAME BACK ON FOR IT AND IT WAS SO GOOD AND WE SCREAMED SO LOUDLY THAT LUMOS HAD TO LEAVE XD Lumos watched the entire stage play with us because she
loves Leo, but our excitement over Singin'☆Shine! was too much for her XD
I swear I could say a million more things and I probably will later, but I'm hungry and thirsty and I have to walk away before I go
insane~
also I do have a download of the stream but I don't want HappyEle to nuke me so just PM me if you want it thx!!!![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png){kind=small}
